Given how many endless, empty geometric hallways our main character had to wander through, having Justin Long’s character from Barbarian pop up with a tape measure to calculate the square footage would have genuinely made this a 5-star masterpiece. Backrooms completely nails the atmosphere in the first half. The grainy, handheld "home video" style shots build an insane amount of tension, and making the entire environment harsh and well-lit instead of hiding in the dark is a brilliant way to c...

Anointing a young, first-time big screen director as the new filmmaking messiah of his or her particular genre is a risky undertaking, to be sure. Does the fledgling auteur have what it takes to live up to that auspicious title? Is this an ordination that’s truly warranted? It’s serious business, both for box office tallies and artistically speaking. But does the heir apparent truly possess the skills, talent and vision to achieve success on both fronts? That’s something worth considering in lig...

New unofficial Christmas movie unlocked. Far more complex than I thought it was going to be, especially considering it was a combination of trauma based creatures and a touch of sci-fi uncertainty. Overall a good watch, and incredibly impressive from such a young creative mind.

Well, that was interesting. This is a well made horror-drama released by A24 that, to my surprise, nabbed $81 million in its opening weekend. Both Chiwetel Ejiofor and Renate Reinsve give solid performances and while a few moments lost my attention, there are few great scenes particularly towards the end. Don't know where the hype came from but good for this (and Obsession) for capturing the mainstream audiences. **3.75/5**

Hmmm. Perhaps I just wasn't in the mood, but I really didn't get what the fuss was about with this. "Clark" (Chiwitel Ejiofor) is a recently divorced man who has big dreams but who is reduced to running (and sleeping in) his cheap and cheerful "Ottoman Empire" furniture emporium in small town America. The electrics in his store start playing up and upon investigation he is intrigued by a glimmer of light that appears to be emenating from beneath the basement wall! Investigating, he discovers tha...

I'll start by saying I'm not a hater; I wanted to enjoy it, I really did. But I think some scriptwriting decisions were made that really hurt the final result. I'll begin with the scene where they discover the backrooms. While the opening scene is interesting, the scene where the protagonist finds them is not. Having a clear exit point significantly reduces the tension for him. He controls the space, he's oriented, and he doesn't seem lost or confused by having to take paths he wouldn't choose ...

One of the few Backrooms adaptations that truly understands what made the original concept so fascinating. Instead of relying solely on monsters and jump scares, it embraces the liminal spaces, isolation, and psychological tension that defined the Backrooms from the beginning. It easily stands out as one of the best psychological horror films of the year.