Some stories settle quietly inside a person and stay there for a long time. This film, inspired by John Davidson's real life, leaves exactly such an impression. In 1980s Scotland, you step into the world of a teenager who was diagnosed with Tourette syndrome at the age of fifteen, but this journey takes you much deeper than you think. The production, which came to life with the direction of Kirk Jones, realizes the danger of swimming in the cliched waters of an inspirational biography film and deftly avoids this trap. He uses both harsh and surprisingly gentle language to describe how Tourette syndrome was perceived in 1980s Britain, that is, how it was misunderstood, how it was stigmatized, and how this stigma was engraved on a child's psyche. This narrative, woven with dark Scottish humor, makes the audience laugh at times while at the same moment making them realize something is stuck in their throat. Robert Aramayo displays unexpected maturity in the lead role. It presents John neither as a hero nor as a victim; it portrays him as he is, with his contradictions, anger, and vulnerability. Experienced names like Maxine Peake and Peter Mullan, standing right next to them, lend their weight to every scene. This cast not only carries the emotional weight of the script; at times, they even deepen it. The film successfully recreates the atmosphere of the period spanning from the 1980s to the 1990s. While showing the social oppression, discrimination and the cost of being "different" in England and Scotland of those years, he does not caricature the spirit of the time. Instead, it makes you feel that atmosphere in a realistic and unsettling way. Based on exclusion, prejudice and a person's effort to find his own voice, this production presents the audience not only with the life of an individual, but also with a universal question about kindness: when people don't understand you, how do you approach them? While searching for the answer, it's not uncommon to find yourself lost in this story.