ir son “Jonathan” (Kit Rakusen) before being taken downstairs to the basement and encountering a lad who is chained to the wall. Yep, that’s our “Tommy” - just as foul mouthed and threatening as before, only now he’s a bit more sober. Oddly enough, that doesn’t scare off “Rina” and so we know that she must have problems of her own as we now follow quite a menacingly bizarre process of what could be called rehabilitation for the angry young man, and possibly for others too. What I did enjoy here was the powerfully charismatic effort from a Boon who genuinely came across as obnoxious as we start out but who becomes someone altogether more shrewd as the dynamics in the house change in a series of quite unexpected ways. Just watch his eyes! Riseborough is also on solid form as her persona deceives effectively and with about half an hour left it’s fairly safe to say that I hadn’t really much of a clue what was going to happen to whom at the end. Stockholm syndrome maybe? Faux-Stockholm syndrome maybe? Watch and see, it’s worth it and I expect to see a lot more of Anson Boon.