Au Suivant, directed by Malo Amossé, stands out as a bold attempt at animation that takes the audience far beyond conventional narrative patterns. The film builds a strange social universe where reality and dreams are intertwined, seething beneath ordinary life. No matter how smooth the surface of the everyday seems, the tension and meaninglessness that accumulates under this surface inevitably reveals itself at some point. The production deliberately blurs the boundaries between genres; While it oscillates between comedy and horror, it contains a political satire on the one hand and an existential question on the other. This complex generic identity is one of the film's greatest strengths. The viewer feels neither completely safe nor completely uneasy; It remains in that very unbalanced area. The characters voiced by Guillaume Gaessler and Valentin Steiner are forced to ask questions about the system, expectations and identity while existing as figures in this absurd universe. The fact that two seemingly distant concepts such as politics and dreams come together in such an organic way points to the originality of the scenario. Visual language is also in the service of the narrative: the freedom provided by animation opens the door to a level of absurdism that real-world footage can never reach. This strange yet familiar universe gives the viewer the feeling of "this is about us". Au Suivant is not for those looking for a relaxed viewing experience; A qualified French animation experiment designed for those who are curious about the different possibilities of the cinema language.