This mysterious romantic film, directed by Suzie de Firmas de Périès, appears as a production that does not hesitate to ask how fragile the boundaries of reality are on that uncertain threshold between sleep and wakefulness. Somniaque draws the viewer into a strange uncertainty from the beginning and chooses to leave him there; This choice is both the bravest feature of the film and its most provocative aspect. The story takes shape as a character caught at an emotional breaking point finds himself in a reality woven with sleep, or perhaps dreams. Romance here goes far beyond a classical love story; It functions more as a state of longing, a desire to be lost, or perhaps a poetic expression of not being able to hold on to reality. The tone of the mystery, however, is not fear, but rather uneasy curiosity—the viewer is disturbed not by danger, but by not knowing. The on-screen chemistry between Lou Thiefine and Franny Pédron - de Firmas de Périès adds unexpected warmth to the film's uncertain texture. The presence of Laurent Ouvrard makes the equation even more complicated. All the elements of the film are put together like a deliberately ill-fitting puzzle; This lack of integrity is not a flaw, but a conscious narrative choice. Somniaque is not for the viewer looking for clear answers; It offers a rare and original cinema experience that appeals to those who enjoy spending time with the questions themselves.