As part of a tradition that has sprouted in the dark corners of Japanese cinema, this production, which moved to the screen in 1995, tells the story of women who live in the shadow. The world presented to the audience is another reality flowing beneath the bright surface of Tokyo; a secret order established for the breaking of rules, beyond the reach of laws. The series occupies a very distinctive corner of Japanese crime and action cinema with the identity it has developed over the years. This universe, centered around the character Rei, goes far beyond an ordinary detective story. This female agent figure, who operates within the Zero Division, an imaginary secret unit affiliated to the Tokyo Police Department, is presented as both a protector and a killer, an instrument of the state and a victim of the system. This dual identity adds tension to the series that sets it apart from a mere entertainment product. As the second film in the series, this 1995 production progresses by staying true to the founding spirit of the franchise. Drug lords, mercenaries, and the dark figures of the criminal underworld remain indispensable elements of this world. But the real appeal of the film lies beyond the action scenes; the moral ambiguity in which the character is trapped makes his every step both inevitable and questionable. In this universe where violence is instrumentalized, the question of who is being fought for never finds a definitive answer. The inclusion of a well-known name like Kane Kosugi in the cast adds an international flavor to the production. Shaped under the direction of Daisuke Gotô, the film embraces a harsh and raw aesthetic typical of the Japanese video market at the time. This aesthetic, even if occasionally disturbing, can be read as a sign of originality within the overall series. Considering that the first film in the series was the inspiration for Luc Besson's 1990 film Nikita, it is better understood how deep-rooted the heritage mentioned here is. For those curious about the evolution of the female agent archetype in cinema history, this production continues to serve as an important reference point. It's perfect for those who want to be stuck between patriotism and existential darkness.