ded of the film "Children of Men," because when I watched that, I was struck by how easily I could imagine a less engaging, more dumbed-down version of the same film. I haven't seen enough films about slavery to know this for certain, but I suspect that because many of this film's principals are British, telling a story about a free man who was forced into slavery, as opposed to one born into it, they were able to be gain some valuable distance from the subject and craft something that's both beautiful and feels true to life. And even though I thought I could not have been made to feel worse than I already did about slavery, the post-scripts on the lack of justice Solomon received for his kidnapping and the unknown causes of his death, helped keep the film from lapsing into a kind of "triumph of the spirit" happy ending others might have imposed.

yone.

estion humanity altogether. Just sitting through a little over than 2 hours and watching this movie made my heart bleed, I can't even begin to think of the people who lived their entire lives as SLAVES... 12 years a slave heart breakingly makes you feel the pain and suffering of almost the entire human kind at one point of time or other. Direction by Steve McQueen is brilliant.Chiwetel Ejiofor plays a helpless slave in Solomon Northup to the hilt and also the small but impactive role played by Brad Pitt as a man with conscience is superb.Lupita Nyong'o's Patsey too was depicted heart warmingly. You can't help but question yourself that how could MAN stoop such low and do these cruel acts and that too over such a prolonged period of time without even a single ounce of doubt in his mind for what he would have to pay for his actions.. All in all a GEM of a movie showing one of the lowest point in human history !

no) and later to the brutish “Epps” (Michael Fassbender) who quite literally considered his slaves as feudal property, his to use as he sees fit. Not only does that see plenty of opportunity for his whip hand to flex, but for him to treat the women as sex toys, despite the protestations of his increasingly embittered wife (Sarah Paulson). The relentlessness of this existences forces Solomon into a psychological cocoon in which he hopes to be able to survive, but when “Bass” (Brad Pitt) arrives espousing an altogether different attitude to enthralment, perhaps he can find something of his own élan? This is a grim indictment of a ghastly business. Steve McQueen spares us little of the culture of evil that existed, a culture that often underpinned it’s legitimacy by quoting scripture and a culture that considered the female slaves - superbly epitomised by Lupito Nyomg’o as “Patsey” - as nothing more than chattels. The production design sets an authentic looking scene with costumes and scenarios adding a richness to what is an impressive ensemble effort of acting talent that sees us impressed by just about everyone who has lines to deliver. There is something odiously visceral about Fassbender’s efforts here and with toxicity prevailing in just about every scene of his captivity, this presents a gruesome picture of brutality that’s often quite hard to watch. This is powerful and emotionally-charged cinema.