This Spanish production, which begins in a tent camp in a seaside town under the summer heat, gradually turns a seemingly ordinary holiday environment into a disturbing tension. In this environment where a group of children and adults come together, mascot figures, birds and a mysterious girl are woven into the fabric of the story. There is an uneasiness accumulating beneath the cheerful atmosphere on the seaside; The viewer feels it even if he cannot fully describe it. Directed by Lluís Galter, the film proceeds with an experimental cinema language that stays away from conventional narrative structures. Instead of flowing in a linear line, the plot is woven with instant images, interruptions and ambiguities. This choice may be binding for some viewers and challenging for others; However, it is clear from the beginning that the main purpose of the film is not to provide a comfortable viewing experience. Dealing with the themes of loss and childhood vulnerability, the production prefers to suggest these heavy topics through juxtaposed images rather than dealing with them directly. The idea that innocence and threat can exist in the same place permeates the atmosphere of the film. The ordinary crowd of the beach, the smell of sunscreen and the voices of children; The darkness that flows underneath is intertwined with possibility. Although sharing its name with another, much more well-known production by Charlotte Wells inevitably leads to comparisons, this film is an independent experiment that tries to find its own voice and stands out with unusual formal choices. It offers an interesting experience for viewers who require patience and are willing to put their conventional cinema expectations aside.