released in 1995 from the pen of Hideaki Anno, this Japanese animation has become one of the most controversial and multi-layered works in the history of anime, shattering the usual patterns of the mecha genre. Although on the surface it may seem like an existential war narrative against giant robots and mysterious beings that threaten humanity, the real story starts in a much more introverted, much heavier place. The responsibility placed on the shoulders of a young adolescent, the deep wounds caused by the absence of a father, the fear of attachment and self—alienation - these are the themes that stand at the center of the story. Shinji Ikari is a character far removed from the heroic, determined type expected of heroes; on the contrary, he is someone who doubts himself, wants to run away, but cannot escape. These characteristics make him perhaps one of the most realistic protagonists in anime history. As the series progresses, the cold, metallic surface of science fiction gives way to the darkest corners of the human soul. Evangelion doesn't just invite its audience to an action-packed adventure; it challenges them to confront their own inner world. Each episode contains symbolic layers that deserve to be watched more than once; religious references, psychoanalytic images and philosophical questions are so skillfully woven into the fabric of the story that most things are not even noticed the first time. Gainax's highly original visual language for that period, combined with Shiro Sagisu's surprisingly diverse musical selections, creates a whole that is both aesthetically and emotionally powerful. The tension felt during calm moments, the chaos in action scenes, and the fragile relationships between characters keep the audience in a state of constant heightened alertness. Neon Genesis Evangelion, particularly in its final episodes, completely abandons traditional narrative structure to immerse its audience in an unconventional experience. This bold choice remains confusing for some and a moment of profound enlightenment for others. In both cases, the series makes a person question the relationship he has established with himself and does not hesitate to ask this question: is it really possible to connect to others? The echoes of this problem have not died down for over thirty years.